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	<title>Comments on: An Open Letter To Retail Font Vendors</title>
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	<description>Tracking The Move From Print To The Networked Screen</description>
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		<title>By: Web fonts! *shakes fist* &#124; Johnny Lightning Strikes Again</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-16871</link>
		<dc:creator>Web fonts! *shakes fist* &#124; Johnny Lightning Strikes Again</dc:creator>
		<pubDate>Thu, 21 Jul 2011 15:13:02 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-16871</guid>
		<description>[...] as well as a few things to be concerned about. The article links to a funny-because-its-true open letter to commercial font vendors that highlights the backward state of most font foundries by stating quite simply:  I want to see a [...]</description>
		<content:encoded><![CDATA[<p>[...] as well as a few things to be concerned about. The article links to a funny-because-its-true open letter to commercial font vendors that highlights the backward state of most font foundries by stating quite simply:  I want to see a [...]</p>
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		<title>By: Richard Fink</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-14792</link>
		<dc:creator>Richard Fink</dc:creator>
		<pubDate>Fri, 13 May 2011 12:59:12 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-14792</guid>
		<description>Sorry for the delay in approving and responding to this comment Ken.
You wrote:
&gt;All things being equal, I’d prefer to pay a one-off fee for a font that I can ‘hold in my hand’ digitally speaking and use without onerous restrictions.
So would everybody. It&#039;s quite obviously the easier/better deal. BTW - in addition to FontSpring, all of the fonts from the Google Font Directory are downloadable. Also there are the open source fonts on Kernest which are downloadable as well. Both are free, too. The visual quality is spotty, but the same is true of Typekit as well.
I guarantee you that the next 24 months will bring many more fonts in the &quot;pay once&quot; category at affordable prices.
If you&#039;ve read &quot;Web Fonts At The Crossing&quot; you&#039;re aware of why the font services exist. It&#039;s an effort to prevent unlicensed distribution and keep prices as high as possible. Typekit is a fine deal as long as you don&#039;t mind NOT having the font and don&#039;t mind saddling a client with an ongoing expense. You also have to be comfortable with the way Typekit demands that you include the fonts - which involves javascript and their particular way of calling the fonts. you also have to satisfied with the variety and quality of their catalog.
&gt;If web font hosting services can get the pricing, licensing and delivery right, might they not be the future of type on the Web?
Well, I don&#039;t see anything much changing. If it isn&#039;t &quot;right&quot; by now, then when?</description>
		<content:encoded><![CDATA[<p>Sorry for the delay in approving and responding to this comment Ken.<br />
You wrote:<br />
&gt;All things being equal, I’d prefer to pay a one-off fee for a font that I can ‘hold in my hand’ digitally speaking and use without onerous restrictions.<br />
So would everybody. It&#8217;s quite obviously the easier/better deal. BTW &#8211; in addition to FontSpring, all of the fonts from the Google Font Directory are downloadable. Also there are the open source fonts on Kernest which are downloadable as well. Both are free, too. The visual quality is spotty, but the same is true of Typekit as well.<br />
I guarantee you that the next 24 months will bring many more fonts in the &#8220;pay once&#8221; category at affordable prices.<br />
If you&#8217;ve read &#8220;Web Fonts At The Crossing&#8221; you&#8217;re aware of why the font services exist. It&#8217;s an effort to prevent unlicensed distribution and keep prices as high as possible. Typekit is a fine deal as long as you don&#8217;t mind NOT having the font and don&#8217;t mind saddling a client with an ongoing expense. You also have to be comfortable with the way Typekit demands that you include the fonts &#8211; which involves javascript and their particular way of calling the fonts. you also have to satisfied with the variety and quality of their catalog.<br />
&gt;If web font hosting services can get the pricing, licensing and delivery right, might they not be the future of type on the Web?<br />
Well, I don&#8217;t see anything much changing. If it isn&#8217;t &#8220;right&#8221; by now, then when?</p>
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		<title>By: Ken McMahon</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-14777</link>
		<dc:creator>Ken McMahon</dc:creator>
		<pubDate>Thu, 12 May 2011 15:13:03 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-14777</guid>
		<description>Hi Richard,

I read this with interest as well as your List Apart article and other posts. Given that you wrote this over 18 months ago I wonder whether you think the situation has improved at all? 

In the course of researching an article I&#039;ve been looking at the various web font offerings and hosting services currently available and it strikes me that while some type vendors&#039; attitudes to web fonts range from mildy indifferent to cynical, there&#039;s some cause for hope.

All things being equal, I&#039;d prefer to pay a one-off fee for a font that I can &#039;hold in my hand&#039; digitally speaking and use without onerous restrictions. Having said that, attempting to understand what some EULAs do and don&#039;t allow is headache-inducing and, 18 months on, it looks to me like Fontspring is leading the way, but no one else seems all that keen to follow.

I wonder if Web font hosting might yet prove to be workable? When I compare, say, the price of the 9-font OpenType Frutiger family from Adobe with an annual subscription to Typekit, with access to the full library, no restrictions on websites and a 500,000 monthly pageview limit the latter doesn&#039;t look like such a bad deal. It looks even better if you get your fonts from Linotype.
Of course there are all of the caveats, and when someone else has control of your fonts you never know what surprises the future might hold, but if I passed up Frutiger I could pay for a four year subscription to Typekit and have change left over. If web font hosting services can get the pricing, licensing and delivery right, might they not be the future of type on the Web?

I&#039;d be interested in including your views in my feature if you have the time or inclination to respond.</description>
		<content:encoded><![CDATA[<p>Hi Richard,</p>
<p>I read this with interest as well as your List Apart article and other posts. Given that you wrote this over 18 months ago I wonder whether you think the situation has improved at all? </p>
<p>In the course of researching an article I&#8217;ve been looking at the various web font offerings and hosting services currently available and it strikes me that while some type vendors&#8217; attitudes to web fonts range from mildy indifferent to cynical, there&#8217;s some cause for hope.</p>
<p>All things being equal, I&#8217;d prefer to pay a one-off fee for a font that I can &#8216;hold in my hand&#8217; digitally speaking and use without onerous restrictions. Having said that, attempting to understand what some EULAs do and don&#8217;t allow is headache-inducing and, 18 months on, it looks to me like Fontspring is leading the way, but no one else seems all that keen to follow.</p>
<p>I wonder if Web font hosting might yet prove to be workable? When I compare, say, the price of the 9-font OpenType Frutiger family from Adobe with an annual subscription to Typekit, with access to the full library, no restrictions on websites and a 500,000 monthly pageview limit the latter doesn&#8217;t look like such a bad deal. It looks even better if you get your fonts from Linotype.<br />
Of course there are all of the caveats, and when someone else has control of your fonts you never know what surprises the future might hold, but if I passed up Frutiger I could pay for a four year subscription to Typekit and have change left over. If web font hosting services can get the pricing, licensing and delivery right, might they not be the future of type on the Web?</p>
<p>I&#8217;d be interested in including your views in my feature if you have the time or inclination to respond.</p>
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		<title>By: Web Fonts at the CrossingWeb 4shared &#124; Web 4shared</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-3976</link>
		<dc:creator>Web Fonts at the CrossingWeb 4shared &#124; Web 4shared</dc:creator>
		<pubDate>Fri, 18 Jun 2010 19:14:22 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-3976</guid>
		<description>[...] servers—are available from Font Spring. And the site provides—as every web font vending site must—an in-browser specimen sheet of the font so you can see what you’re really getting before you [...]</description>
		<content:encoded><![CDATA[<p>[...] servers—are available from Font Spring. And the site provides—as every web font vending site must—an in-browser specimen sheet of the font so you can see what you’re really getting before you [...]</p>
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		<title>By: Web fonts! *shakes fist*</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-3889</link>
		<dc:creator>Web fonts! *shakes fist*</dc:creator>
		<pubDate>Tue, 08 Jun 2010 13:01:33 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-3889</guid>
		<description>[...] as well as a few things to be concerned about. The article links to a funny-because-its-true open letter to commercial font vendors that highlights the backward state of most font foundries by stating quite simply: I want to see a [...]</description>
		<content:encoded><![CDATA[<p>[...] as well as a few things to be concerned about. The article links to a funny-because-its-true open letter to commercial font vendors that highlights the backward state of most font foundries by stating quite simply: I want to see a [...]</p>
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		<title>By: Richard Fink</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-1189</link>
		<dc:creator>Richard Fink</dc:creator>
		<pubDate>Sat, 21 Nov 2009 21:35:35 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-1189</guid>
		<description>Hi Ethan
The great majority of font designers don&#039;t get it. And I can&#039;t say I blame them, either.
So far, they have made their livings selling under a presumed copyright to other copyright industries under laws that were designed for exactly that.
(I advocate nothing. But Webmail thinks that fonts as copyrighted software in their totality is not well-settled law. He wants me to use &quot;presumed&quot;. )
The copyright laws were not designed for average consumers to understand. It was never expected that it would ever effect them directly.
Current copyright laws cannot even be taught because even copyright lawyers don&#039;t understand them. At least not without referencing the hundreds if not thousands of pages in the copyright statutes.
And so, when faced with a EULA that has provisions for this, that, and the other thing, the average person is going to say, &quot;This isn&#039;t worth the trouble. What the hell is all this about?&quot;
And head for where they can get it free.
However, the increase in font usage and demand alone should create a bonanza for anybody with a copy of Fontlab. Just on fee for service.

Thanks for confirming that I&#039;m not nuts. Already knew that, but the font design community is so used to talking amongst themselves and reinforcing their own notions about how things are going to be, that I&#039;ve become the bearer of ill tidings, destroyer of worlds, simply because my fictional colleague Webmail tells it like it is.
I don&#039;t normally like to add commercial sites to the blogroll here at Readable Web if I can help it. But I&#039;m going to be adding a link to Font Squirrel. No site has done more.
Regards, rich</description>
		<content:encoded><![CDATA[<p>Hi Ethan<br />
The great majority of font designers don&#8217;t get it. And I can&#8217;t say I blame them, either.<br />
So far, they have made their livings selling under a presumed copyright to other copyright industries under laws that were designed for exactly that.<br />
(I advocate nothing. But Webmail thinks that fonts as copyrighted software in their totality is not well-settled law. He wants me to use &#8220;presumed&#8221;. )<br />
The copyright laws were not designed for average consumers to understand. It was never expected that it would ever effect them directly.<br />
Current copyright laws cannot even be taught because even copyright lawyers don&#8217;t understand them. At least not without referencing the hundreds if not thousands of pages in the copyright statutes.<br />
And so, when faced with a EULA that has provisions for this, that, and the other thing, the average person is going to say, &#8220;This isn&#8217;t worth the trouble. What the hell is all this about?&#8221;<br />
And head for where they can get it free.<br />
However, the increase in font usage and demand alone should create a bonanza for anybody with a copy of Fontlab. Just on fee for service.</p>
<p>Thanks for confirming that I&#8217;m not nuts. Already knew that, but the font design community is so used to talking amongst themselves and reinforcing their own notions about how things are going to be, that I&#8217;ve become the bearer of ill tidings, destroyer of worlds, simply because my fictional colleague Webmail tells it like it is.<br />
I don&#8217;t normally like to add commercial sites to the blogroll here at Readable Web if I can help it. But I&#8217;m going to be adding a link to Font Squirrel. No site has done more.<br />
Regards, rich</p>
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		<title>By: Ethan Dunham</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-1185</link>
		<dc:creator>Ethan Dunham</dc:creator>
		<pubDate>Sat, 21 Nov 2009 18:47:47 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-1185</guid>
		<description>I&#039;m with you Richard. There is a vast market of developers who are going to laugh at the hoops foundries will want them to jump through. K.I.S.S. Web developers are used to having everything for free and open-source. Are they really willing to pay annual fees, fill out forms etc, every time they need a font. Ha!</description>
		<content:encoded><![CDATA[<p>I&#8217;m with you Richard. There is a vast market of developers who are going to laugh at the hoops foundries will want them to jump through. K.I.S.S. Web developers are used to having everything for free and open-source. Are they really willing to pay annual fees, fill out forms etc, every time they need a font. Ha!</p>
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		<title>By: Richard Fink</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-1145</link>
		<dc:creator>Richard Fink</dc:creator>
		<pubDate>Thu, 19 Nov 2009 01:04:40 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-1145</guid>
		<description>Hi Scott
&lt;em&gt;&quot;Most type designers aren’t comfortable with putting raw fonts on the web.&quot;&lt;/em&gt;
I believe font designers will be only slightly more comfortable with making WOFF or EOT Lite files available, which is to say, not comfortable at all. Conversion will always be an easy matter.
But if these formats &lt;strong&gt;are&lt;/strong&gt; acceptable, why not begin licensing for those? The answer is that the push for a web font format to provide a &quot;garden fence&quot; of protection against being installed into the OS was never about creating a lively market for web fonts. The retail font industry has never, ever been truly gung ho about web fonts, ever. Just talk. Why sell web fonts if there&#039;s a lively enough market for print? A market they know and understand and has, after all, paid the bills for professional type designers so far. Remember, there has been absolutely no market for web fonts at all. It&#039;s totally unproven that you can make a nickel off it.
As I reported elsewhere, the primary concern among retail font vendors is that selling to the public (web authors, both professional and amateur)  will bring price concessions that will bring down the price they can charge their professional print customers. They are concerned about a general devaluation.
It&#039;s all about price, price, price. Now,  I have no idea whether this fear is rational or not. I&#039;m just reporting it. It comes from sources within the professional type community. And it explains behavior that, until I learned this, I was at a complete loss to explain.
Naturally, nobody in the type business is going to come right out and say, &quot;All in all we&#039;d rather not market our product to Internet people.&quot; But as hard as it might be for you to accept - and me, too - that&#039;s the way it is.
It&#039;s fine with me, really. Moving forward without the involvement of the &quot;professionals&quot; brings greater challenges.
We must absolutely have good fonts for web use. Somebody is going to make them. It&#039;s just a question of with what tools and how long it is going to take.
I, too, thought it was as simple as font designers not wanting to see raw fonts posted on web servers but it goes much deeper than that unfortunately.
Regards, rich</description>
		<content:encoded><![CDATA[<p>Hi Scott<br />
<em>&#8220;Most type designers aren’t comfortable with putting raw fonts on the web.&#8221;</em><br />
I believe font designers will be only slightly more comfortable with making WOFF or EOT Lite files available, which is to say, not comfortable at all. Conversion will always be an easy matter.<br />
But if these formats <strong>are</strong> acceptable, why not begin licensing for those? The answer is that the push for a web font format to provide a &#8220;garden fence&#8221; of protection against being installed into the OS was never about creating a lively market for web fonts. The retail font industry has never, ever been truly gung ho about web fonts, ever. Just talk. Why sell web fonts if there&#8217;s a lively enough market for print? A market they know and understand and has, after all, paid the bills for professional type designers so far. Remember, there has been absolutely no market for web fonts at all. It&#8217;s totally unproven that you can make a nickel off it.<br />
As I reported elsewhere, the primary concern among retail font vendors is that selling to the public (web authors, both professional and amateur)  will bring price concessions that will bring down the price they can charge their professional print customers. They are concerned about a general devaluation.<br />
It&#8217;s all about price, price, price. Now,  I have no idea whether this fear is rational or not. I&#8217;m just reporting it. It comes from sources within the professional type community. And it explains behavior that, until I learned this, I was at a complete loss to explain.<br />
Naturally, nobody in the type business is going to come right out and say, &#8220;All in all we&#8217;d rather not market our product to Internet people.&#8221; But as hard as it might be for you to accept &#8211; and me, too &#8211; that&#8217;s the way it is.<br />
It&#8217;s fine with me, really. Moving forward without the involvement of the &#8220;professionals&#8221; brings greater challenges.<br />
We must absolutely have good fonts for web use. Somebody is going to make them. It&#8217;s just a question of with what tools and how long it is going to take.<br />
I, too, thought it was as simple as font designers not wanting to see raw fonts posted on web servers but it goes much deeper than that unfortunately.<br />
Regards, rich</p>
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		<title>By: Scott Kellum</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-1140</link>
		<dc:creator>Scott Kellum</dc:creator>
		<pubDate>Wed, 18 Nov 2009 16:14:23 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-1140</guid>
		<description>I am a web designer and font developer. I understand why you are impatient with the foundries, I want to see more web fonts available too, but this is too new to expect all the foundries to jump on board. Most type designers aren&#039;t comfortable with putting raw fonts on the web. Not just that but most type designers design for print and haven&#039;t considered how type looks on the screen. When there is universal support for WOFF and EOT you will see a lot more quality fonts available but until then give us some time to create security systems, web font business models, and well hinted fonts for the screen. All of this takes time, yes we could go with the TypeKit security and business model but I am not thrilled with their business model. I like Kernest better, but they have very little security for raw fonts. You can expect to see a lot more from the type industry soon, but give us some time to work things out.</description>
		<content:encoded><![CDATA[<p>I am a web designer and font developer. I understand why you are impatient with the foundries, I want to see more web fonts available too, but this is too new to expect all the foundries to jump on board. Most type designers aren&#8217;t comfortable with putting raw fonts on the web. Not just that but most type designers design for print and haven&#8217;t considered how type looks on the screen. When there is universal support for WOFF and EOT you will see a lot more quality fonts available but until then give us some time to create security systems, web font business models, and well hinted fonts for the screen. All of this takes time, yes we could go with the TypeKit security and business model but I am not thrilled with their business model. I like Kernest better, but they have very little security for raw fonts. You can expect to see a lot more from the type industry soon, but give us some time to work things out.</p>
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		<title>By: Richard Fink</title>
		<link>http://readableweb.com/an-open-letter-to-retail-font-vendors/comment-page-1/#comment-938</link>
		<dc:creator>Richard Fink</dc:creator>
		<pubDate>Fri, 06 Nov 2009 15:36:55 +0000</pubDate>
		<guid isPermaLink="false">http://readableweb.com/?p=1857#comment-938</guid>
		<description>I&#039;ve bought fonts for test purposes. I&#039;ll check and give you a list. Not extensive, of course, because the fonts aren&#039;t licensed for web use!
Now, I might take issue with some aspects of copyright on the public policy level, but the only thing anyone will ever hear from me as far as licensing goes is: &quot;Fulfill your obligations&quot;.
But c&#039;mon David, am I supposed to buy in the hope that one day, those vendors will send me an email telling me that the EULA has been amended retroactively and it&#039;s now OK to use those fonts in a web page subject to certain conditions? You see the problem.

Browsers handle font size like shit if you ask me. I&#039;m with you there. The font/size zoom features in every one of them make no sense. On that, I have some researcher-like things to say that I&#039;m working on. BTW - your first post riled me - not because of the @font-face stuff - but because it reminded me of how much I&#039;ve got on the back-burner that I need to get out the door. It&#039;s been a bad year for my family health-wise and it&#039;s taken a toll on me.

With CSS, there&#039;s one glaring omission which affects @font-face greatly: Whereas I can create a &quot;font stack&quot; that tells the browser which font-family name to fallback to if the one &quot;on top&quot; of it in the stack is unavailable, there&#039;s no elegant way to also swap the size. In other words, selecting a fallback font-family is easy, but getting the metrics to match up somewhat with the font it&#039;s replacing is a nightmare. 
And then there&#039;s the problem of physical screen size. Had a quick conversation with Keven Larson about this. We&#039;ve had &quot;plug and play&quot; technology for how long now? Why the frack doesn&#039;t the display announce it&#039;s physical size to the OS? Handy to know that, right? Kevlar said something to the effect that display manufacturers have just been sloppy and ignorant about it so far but that MS was working with them to get more useful info.
Who was it that said, &quot;We work in dark. We give what we can.&quot;? Well, we&#039;re still in the dark for sure.
I find the stuff being done with font features exciting, but there are nuts and bolts issues regarding font sizing and rendering that have still not been adequately addressed. Not by a long shot. I&#039;m sure that&#039;s got your vote, too.
As far as starting the wrecking ball, like I said, CSS is like a mountain, it won&#039;t wreck, but you can add to the pile and do some drilling into it.
Some things might forever require a programmatic workaround.
Gotta run, but soon I&#039;m going to be writing a post about this: The people who make browsers - and that includes the standards bodies and other think tanks like the W3C - are, at least in field of publishing, the most important people in the world right now. They have enormous power. It just fell into their hands. The decisions they are making today will affect the world long after you and I are dead. And so, they need to be watched and niggled and cajoled by people on the outside of the circle, because we can see things that they, from their vantage point cannot see. I have a specific example in mind.
But later. And I&#039;ll be sending you an email.

rich</description>
		<content:encoded><![CDATA[<p>I&#8217;ve bought fonts for test purposes. I&#8217;ll check and give you a list. Not extensive, of course, because the fonts aren&#8217;t licensed for web use!<br />
Now, I might take issue with some aspects of copyright on the public policy level, but the only thing anyone will ever hear from me as far as licensing goes is: &#8220;Fulfill your obligations&#8221;.<br />
But c&#8217;mon David, am I supposed to buy in the hope that one day, those vendors will send me an email telling me that the EULA has been amended retroactively and it&#8217;s now OK to use those fonts in a web page subject to certain conditions? You see the problem.</p>
<p>Browsers handle font size like shit if you ask me. I&#8217;m with you there. The font/size zoom features in every one of them make no sense. On that, I have some researcher-like things to say that I&#8217;m working on. BTW &#8211; your first post riled me &#8211; not because of the @font-face stuff &#8211; but because it reminded me of how much I&#8217;ve got on the back-burner that I need to get out the door. It&#8217;s been a bad year for my family health-wise and it&#8217;s taken a toll on me.</p>
<p>With CSS, there&#8217;s one glaring omission which affects @font-face greatly: Whereas I can create a &#8220;font stack&#8221; that tells the browser which font-family name to fallback to if the one &#8220;on top&#8221; of it in the stack is unavailable, there&#8217;s no elegant way to also swap the size. In other words, selecting a fallback font-family is easy, but getting the metrics to match up somewhat with the font it&#8217;s replacing is a nightmare.<br />
And then there&#8217;s the problem of physical screen size. Had a quick conversation with Keven Larson about this. We&#8217;ve had &#8220;plug and play&#8221; technology for how long now? Why the frack doesn&#8217;t the display announce it&#8217;s physical size to the OS? Handy to know that, right? Kevlar said something to the effect that display manufacturers have just been sloppy and ignorant about it so far but that MS was working with them to get more useful info.<br />
Who was it that said, &#8220;We work in dark. We give what we can.&#8221;? Well, we&#8217;re still in the dark for sure.<br />
I find the stuff being done with font features exciting, but there are nuts and bolts issues regarding font sizing and rendering that have still not been adequately addressed. Not by a long shot. I&#8217;m sure that&#8217;s got your vote, too.<br />
As far as starting the wrecking ball, like I said, CSS is like a mountain, it won&#8217;t wreck, but you can add to the pile and do some drilling into it.<br />
Some things might forever require a programmatic workaround.<br />
Gotta run, but soon I&#8217;m going to be writing a post about this: The people who make browsers &#8211; and that includes the standards bodies and other think tanks like the W3C &#8211; are, at least in field of publishing, the most important people in the world right now. They have enormous power. It just fell into their hands. The decisions they are making today will affect the world long after you and I are dead. And so, they need to be watched and niggled and cajoled by people on the outside of the circle, because we can see things that they, from their vantage point cannot see. I have a specific example in mind.<br />
But later. And I&#8217;ll be sending you an email.</p>
<p>rich</p>
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