Garrick Van Buren, my taskmaster at Kernest/Konstellations, sent me over a link to an article about how different publishers are dealing with DRM and, just as importantly, the Walmart of online publishing – Amazon.
Cutting Their Own Throats on Charlie Stross’s blog.

Uh, there seems to be a notion floating around that somehow there’s something people in the publishing biz can do to “avert the evil decree”.
(To grab an apt phrase from Jewish liturgy.) 
But, like drowning in a tsunami, or any other deluge of “Biblical” proportion, there is no averting – or avoiding – the devaluation of anything that can be converted to bits and bytes.

Back in mid January, I wrote that this year already “felt” different. And it’s been. And today I’ve been musing about the people in publishing who are going to lose their jobs. Yes. They – maybe you – are going to lose your job. And no purchasing of an act of Congress like SOPA or an outfoxing of Amazon is going to prevent this.

“Teach Me To Dance, Will You, Zorba?”

There are people who fall hard and do not find their feet for a long time, if ever — a condition some psychiatrists call complicated grief. And the depth of the economic collapse has unceremoniously stripped thousands of far more than money: reputations have reversed; friendships have turned sour; families have fractured.

In reality we are all like beggars selling apples or pencils on a street corner. But that reality gets masked over time and people feel safe and secure. The beggars huddle for warmth within things called “industries”. After awhile, the idea that people will continue to prefer buying from “us” over the other beggars begins to look and feel like a law of nature. Life can be good, even for a beggar.

I used to work in apparel manufacturing in the United States – an industry that crumpled to nothing in the face of lower-priced foreign imports. We knew that no matter how loudly we begged, no one was going to buy from us any more.
The auto workers who used to populate Detroit know all about this, too.

When the market says to you: “We can’t pay you anymore for what you do”, you move on.

But when the world shifts beneath your feet like that, don’t just stand around flat-footed, dammit. Instead, with a fresh start, focus on the possibilities and ask Zorba to teach you how to dance. If you’re lucky, he’ll oblige.

{ 1 comment }

In Digital Publishing you need to co-ordinate your efforts with many people. Web designers, developers, server techs – the list goes on and on – and the more you know about how those people go about their work, the better off you will be.

With fonts, the “collaboration” might take the form of a purchase, or a free download, or just a link to the font in your HTML. But there is a font-maker somewhere on the other end of that transaction. And the more you know about how that font came to be, the better off you’ll be. And unlike a lot of things in today’s fast-paced environment – where it’s hard to separate the side-shows from the main attractions – a knowledge of fonts and how they’re made won’t be obsolete in just a few years. Changes in font technology come at a snail’s pace, and what changes do come, are incremental. So what you learn about fonts will pay dividends for as long as you live. Really.

Have A “Practical” Christmas

David Bergsland’s Practical Font Design is now in its Third Edition. It’s greatly improved in many, many ways from the Second Edition. (Bergsland not only listens to reader feedback, but he acts on it, too.) It’s still the only book of its kind, and it does a simple thing: it tells you, in a friendly and to-the-point manner, how one experienced font designer and teacher – David Bergsland – goes about his work. It’s a must-buy for font designers. It’s a should-buy for any web designer, graphic designer, or anybody involved with digital publishing.
Not much interested in the technical details? – It’s worth the price just for the “history of type” section and as a flip-through reference. If you’ve ever used Adobe Illustrator or CorelDraw, you already know more than you necessarily need. And a demo download of FontLab Studio – the professional level font editor referenced in the book – is available for Mac and Windows free.

Here’s a little piece to give you an idea of the tone:

“My plan is to go through my decision making process so you can do the same as you develop your fonts. There is no right or wrong here. All you have to guide you in the process is your personal sense of style – what’s right and wrong.”

Practical Font Design, The Links:

Amazon Print and Kindle

Lulu PDF

Lulu Paperback

David Bergsland sells his fonts at:

Hackberry-Fonts

And blogs here, dispensing technical tips and helpful font-making tools:

Hackberry-Fonts Blog

 

{ 2 comments }

Extensis Brings Google Web Fonts Straight Into Photoshop

11.07.2011

Extensis, the company behind the WebINK web font service, today announced a plug-in that brings Google Web Fonts straight into Photoshop. Free And Open-Source Fonts Served Alongside The Proprietary, In A Surprising Twist Since launching the WebINK web font service, Extensis has concentrated on building a library of fonts drawn from the proprietary type community, [...]

Read the full article →

Amazon Moves To HTML5/CSS3 For New Kindle, Leaves Mobi Format Behind

10.21.2011

Some folks I know are waiting for E-Pub to magically arrive and provide a comfy transition from print to screen. But anybody who’s looked into that closely knows it’s a fairy tale. Ain’t gonna happen, and here’s the latest nail in the E-pub coffin: Kindle Format 8 The List of Features Includes @Font-Face Here’s a [...]

Read the full article →

Steve Jobs Role In Typography By Computer

10.17.2011

A few weeks ago, my eye doctor said to me, “I only know of two people who know anything about fonts, you and Steve Jobs.” Seemed Dr. Patel was re-doing his web site and had questions about the qualities of Trebuchet MS. But the line about Jobs raised an eyebrow, naturally, and it was as [...]

Read the full article →

Adobe Announces Acquisition Of Typekit

10.03.2011

It’s fair to say that those close to the development of Web Fonts expected Typekit to be acquired by somebody. Well, today somebody did. Adobe Buys Phonegap And Typekit for Better Web Tools The Typekit Blog Announcement And Adobe’s press release: Adobe Acquires Web Typography Innovator Typekit A good thing? A bad thing? An inconsequential [...]

Read the full article →

A Nice Use Of Web Fonts In Mainstream Media

09.08.2011

There’s a nice use of web fonts at the New York Times. (Just remember to clear your cookies to keep on reading past their twenty page a month limit.) Titled The Reckoning , it’s a link and teaser page for a group of stories about 9/11. Very tasteful and dutifully solemn. Definitely not cheesy. We don’t [...]

Read the full article →

ttfautohint – Support Web Typography

08.10.2011

There is a very promising open source tool by developer Werner Lemberg called ttfautohint which promises to make it a lot easier for font designers and also web designers working with free, open-source, and public domain fonts to get them looking good on Windows. Even the early versions have some experts in font software sitting [...]

Read the full article →

A Webfont Specimen Page Free For Download

07.10.2011

Tim Brown of Typekit put together a webfont specimen page awhile back. Originally introduced in Tim’s article for AListApart: Real Web Type in Real Web Context, and it does give a real nice view of a font in a variety of contexts. I’ve incorporated a modified version of it into my suite of web font [...]

Read the full article →

Turning My Back On The New New York Times

03.22.2011

Ever since the New York Times announced that it’s moving from free online web access to a paid subscription I’ve been torn. And sad. I spent most of my life in New York, I grew up in Brooklyn, and the Times has been a part of my life for nearly as long as I can [...]

Read the full article →